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Elaine Lachica layers thick vocals over piano, molding ambiance into a
truly artistic endeavor.
Echos dominate the ambience, fading in and out on the opening track.
It’s a short introduction, and a blurred one at that, as the listener
knows not whether to expect more songs without beats accompanied with
falling volumes, or will something more mainstream follow? It’s this
unpredictability that is both Lachica’s strength and weakness.
More mainstream does follow, finally, coming in the third track, a
backbeat with set and synthesizer introducing an adult contemporary
piano ballad. After all, when it comes down to it, Elaine Lachica is a
balladeer and the plethora of mixed backdrops serves only to emphasis
the beauty of what remains constant: her illustrious voice.
Hush now, and mold with the puddles of your imagination through this
audio waterfall. Lachica blends vowel with consonant in a tapestry of
vocal ambience. Often overkill, the drama has no room to build, hitting
emotional peaks like a seismograph, leaving the listener never knowing
which direction the song is headed. The melodies have a mind of their
own, connecting to the music in an obscure fashion, but varying so much
in these connections the notes themselves don’t know which way they are
destined to travel. An interesting, sporadic nature of music may be the
attempt, but the melody often loses the listener in an abyss of
uncharted progressions.
When drums lend a hand the partnership is a kind one, never intimidating
the listener, but giving them room to breath a bit of the familiar—a
break from the explorations of melody that unfortunately push “9” over
the fine line separating music and art. It lands in the latter, and is
no better or worse for it, yet like much art the audience is a select
few with different ears than those at Rockzone.
Eric Myers is a Contributing Writer. Contact him at octoon@hotmail.com.