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In the world of extreme metal, few voices are as intense and
unique as that of Devin Townsend. As bi-polar as they come, the guitar
wizard’s chosen therapy has always been music, and Townsend has been
churning out a style of music very much his own. Beginning with a
teenage stint as a member of Steve Vai’s band, Townsend began developing
a fresh take on metal that progressed through projects like the Devin
Townsend Band, Ocean Machine, and, most notably, Strapping Young Lad.
With SYL’s first two studio releases, Heavy As a Really Heavy Thing
and City, “Hevy Devy” made his name as one of the heaviest and most
innovative artists in metal, and love them or hate them, NO ONE sounded
quite like Strapping Young Lad. After listening to the band’s new
self-titled album, it becomes clear that that’s not going to change
anytime soon.
To anyone versed in Strapping’s previous work, SYL is
instantly familiar. Townsend’s studio perfection is something of a
personal trademark, and the production here is typically flawless. Few
people on the planet, if any, are as able as Devin Townsend to utilize
guitar and sound engineering to create a colossal wall of overwhelming
sonic punishment that anyone without studio-quality speakers can’t help
but feel as if they’re not experiencing fully. Match that with Gene
Hoglan’s peerless speed and bombast on his twin bass drums and it adds
up to one of the heaviest bands ever burned on to plastic. Strapping
Young Lad are at their best when they tread where others simply aren’t
able to; on tracks like “Dirt Pride” and the aptly-named “Relentless,”
SYL rip through mind-boggling thrash that leaves the listener wondering
whether to simply take it in, slack-jawed, or bang his head until a disk
ruptures.
But while the new album keeps up the pummeling flood SYL is
known for, not all of the tracks blister along with unceasing energy.
Some tunes find the band stretching their creative skills past the
ungodly blasting. On “Last Minute,” the Lad mixes in black metal
harmonies with death riffage, and “Force Fed” paints a portrait of an
emotional Townsend that borders on melodramatic. Other tracks like “Rape
Song” and “Devour” just aren’t up to snuff. The band’s crushing sound is
sure to baffle the uninitiated, but a seasoned extreme metal afficianado
is going to find a few tracks on this disc that simply aren’t of much
interest. Sadly, one element of the Strapping formula that is in short
supply on the album is the tongue-in-cheek humor which peppered their
older stuff. This disc, inspired by September 11, doesn’t have that fun
lighthearted sense of not taking itself too seriously that made Heavy
As a Really Heavy Thing so endearing.
Faults aside, SYL remains essential for any true fan of the
band. While not an instant classic, anyone interested in experiencing
some of the heaviest music on the planet is sure to find plenty to like
on this release, and its repertoire is sure to bolster Strapping Young
Lad’s live set during their supporting role on their spring tour with
Meshuggah. All in all, a solid addition to the Townsend catalog.
Nate Smith is a Contributing Writer. Contact him at hippieloser@trustkill.net.